Partnering with remote Indigenous Art Centres to deliver a landmark digital project that empowers Aboriginal and Torres Strait Islander artists to create and share unique arts and cultural experiences with the world.
Partnering with remote Indigenous Art Centres to deliver a landmark digital project that empowers Aboriginal and Torres Strait Islander artists to create and share unique arts and cultural experiences with the world.
The Djómi Museum is home to a large, unique and extremely valuable cultural collection of national and international significance, the beginnings of which were established in the 1970s. It features important bark paintings and sculptural works, artefacts and items of material culture, as well as a display of weavings and historical photographs. The collection has largely been built through acquisitions from Maningrida’s art centre, and also donations of works from private collections, and from people who have worked in Maningrida dating back to its inception as a trading post in the 1940s. Djómi is an official regional museum of the Museum and Art Gallery of the Northern Territory.
Lot 474, Maningrida, Northern Territory 0822
https://www.bawinanga.com/what-we-do/arts-culture/djomi-museum/
Distance. Outlines. Boundaries. Maps give us context between places. Yet they exist in tension with the way that First Peoples understand kinship and country. Our mapping is alive and relational. It’s something we practise, with…
Bábbarra Women’s Centre (Maningrida) and Tharangini Studio (Bengalaru) are together redefining the boundaries of traditional artistry with their ground-breaking woodblock textile collaboration. In 2023, senior Kuninjku artists, Janet Marawarr and Deborah Wurrkidj from Bábbarra…
Across Aranda Country, the continuation of culture through art making is alive and ongoing.[1] Guided by the teachings of ancestors and kin, and a resounding urge to depict Country in the manner of…
In early 2022, we received a call from the senior curator of Indigenous and Australian Art at the National Gallery of Victoria, Myles Russell-Cook, who had seen a weaving by Indra Prudence at the previous…
“There isn’t a more skilled set of peoples to find in rural and remote communities than those in the art centres so the easiest way to learn about anything to do with that area is…
Artists at Iltja Ntjarra Art Centre are Western Aranda people and paint their Country using the watercolour techniques passed on by Albert Namatjira down family lines, known as the Hermannsburg School of painting. The Country…
Sitting in the shade at Angurugu Women’s Art Centre, a group of Anindilyakwa women listen to visitors who have travelled far to meet with them on Groote Eylandt, located in the Gulf of Carpentaria in…
Nestled alongside the Musgrave Ranges in Pukatja community in the remote north-west of South Australia, Ernabella Arts on the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands is the oldest continuously running Indigenous art centre in Australia. In…
Fibre art holds a deep and venerated tradition within Yolŋu culture and the weavers of Arnhem Land, with the core material used being Gunga (Pandanus spiralis). The Rrambaŋi (Gunga Mat) installation at the 2023…
Song rings out through the art centres as an Elder sings the story of the Country they are painting, renewing their Country while teaching the story to any in earshot; sometimes when this happens people…
UPLANDS is an immersive digital project that has been designed to celebrate Indigenous Art Centres and share Aboriginal and Torres Strait Islander artistic and cultural practices with the world.
This large scale immersive digital mapping project features over twenty remote Indigenous Art Centres, and interviews with over 150 Indigenous artists and arts workers from across the country.
UPLANDS is a project by Agency and has been funded by the Australian Government through the Restart to Invest, Sustain and Expand (RISE) program and the Indigenous Visual Art Industry Support (IVAIS) program.
We acknowledge the Traditional Owners and Sovereign Custodians of the land on which we live and work. We extend our respects to their Ancestors and all First Nations peoples and Elders past, present, and future.
