Noli Rictor wins the 2024 National Aboriginal and Torres Strait Islander Art Awards
The news of Noli’s win was as serendipitous as it was exciting. Our travel had already been booked; Noli and his older brother Ian Rictor had tickets to…
Partnering with remote Indigenous Art Centres to deliver a landmark digital project that empowers Aboriginal and Torres Strait Islander artists to create and share unique arts and cultural experiences with the world.
Partnering with remote Indigenous Art Centres to deliver a landmark digital project that empowers Aboriginal and Torres Strait Islander artists to create and share unique arts and cultural experiences with the world.
Iltja Ntjarra (Many Hands) Art Centre started operating in 2004 as a not-for-profit Art Centre to provide a place for Western Aranda artists to come together to paint, share and learn new techniques and ideas. The Art Centre has a special focus on supporting the ‘Hermannsburg School’ style watercolour artists who continue to paint in the tradition of their grandfather and relative, Albert Namatjira. By continuing his legacy, these artists sustain an important piece of living history.
29 Wilkinson St, Alice Springs NT 0870
Born: 1958
Region: Alice Springs
Mervyn was born at the Telegraph Station in Alice Springs. His mother Cynthia (Kamara) Obitja was a Western Aranda woman. His father was the late Mr Wenten Rubuntja Pengarte a famous painter and important role model for Mervyn. He fought for Aboriginal rights and protection of the land working alongside the Central Land Council and assisted in the Mabo agreement. Mervyn has followed in his father’s footsteps painting in the watercolour style that his father taught him. When Mervyn was 13 years old his family moved to Hermannsburg this is where he first saw watercolour paintings and began to paint.
Born: 1952
Region: Hermannsburg
Hubert Pareroultja is a senior Western Aranda-Luritja man who lives in his homeland, Kulpitharra / Luntharra outstation west of Hermannsburg (Ntaria). Hubert has been painting landscape watercolours since he was a young boy thus following in the footsteps of his father Reuben Pareroultja and uncles who were part of the original Hermannsburg School watercolour movement and acclaimed artists. Hubert paints many of the iconic locations that Albert Namatjira and his uncles painted, including Mt Sonder/Rutjipma and James Range. Hubert lives and works in the Western MacDonnell Ranges to this day. His work is displayed in many important collections.
Born: 1977
Region: Alice Springs
Marisa Maher is from Alice Springs (Mparntwe); she is a Western Aranda woman. Marisa has been working at Iltja Ntjarra Art Centre, Alice Springs since 2013. She is currently the Assistant Manager of the art centre, and an emerging curator. Marisa grew up at Hermannsburg – Ntaria with her grandparents and siblings. In 2015 Marisa was selected for the Wesfarmers National Gallery of Australia’s Indigenous Arts Leadership Program.
Born: 1954
Region: Tempe Downs
Selma is an accomplished acrylic and watercolour artist who grew up in Ntaria (Hermannsburg). where she went to school with fellow artist Ivy Pareroultja. She is from the Pertama Maduthara Luritja Tribe from Urrampinyi (Tempe Downs Station) which is located South West of Alice Springs in Central Australia.
Born: 1974
Region: Alice Springs
Reinhold was born in Alice Springs. His mother and father were both from Ntaria (Hermannsburg) and thus Reinhold’s fathers Dreaming and his own are associated with Mt. Hermannsburg. As a young man Reinhold was an ace AFL football player but an accident resulted in a brain injury that stopped him from playing. Reinhold is married to Cathy (Jennifer) Wirri and has two daughters with her. Watercolour artist Kevin Wirri (deceased) was his father in law. Reinhold taught himself to paint by drawing first. He loves to paint and draw his father’s Country. He paints beautiful landscapes with great technique and unusual and interesting uses of colour.
Born: 1964
Region: Papunya
Stanley is the son of Desmond Ebatarintja and is married to the daughter of William Sandy. Stanley Ebatarinja has been shortlisted for the 2017 Muswellbrook Prize, and was a finalist in the 2023 Telstra NATSIAA prize.
Born: 1980
Region: Alice Springs
Benita is the daughter of artist Gwenda Namatjira and great granddaughter of Albert Namatjira. She paints her country both in dot paintings depictions and watercolours. Benita also paints figurative images of her family and their learning of the watercolour painting tradition. Benita is teaching her husband, Ricky Connick the painting skill. She often comes to Ngurratjuta Many Hands art centre to learn from the elders and get inspiration from old photographs and stories.
Born: 1952
Region: Hermannsburg
Ivy was born at Hermannsburg in 1952, the daughter of well-known watercolour artist Edwin Pareroultja. Ivy’s father and his two brothers Reuben and Otto were part of the original Hermannsburg Watercolour movement and were all skilled watercolour artists. As a young woman, Ivy learnt to paint in this style and developed a gift for watercolour landscapes. Ivy moved to Alice Springs in 1994 and continues to paint in the tradition of her father and uncles. Her work uses bold colours successfully creating emotive depictions of the Central Desert landscape. Ivy’s work is extremely popular and has been acquired by institutions such as the Art Gallery of New South Wales and the Museum and Art Gallery of the Northern Territory.
Born: Alice Springs
Born: 1968
The news of Noli’s win was as serendipitous as it was exciting. Our travel had already been booked; Noli and his older brother Ian Rictor had tickets to…
My name is Michelle Pulatuwayu Woody Minnapinni, I come from a long line of people of the Tiwi Islands. We trace our ancestors back through story to Purukuparli and his Mother Murtankala – the original…
I first met Michelle Pulatuwayu Woody Minnapinni while working with Darwin Aboriginal Art Fair as one of the curatorial delegates in 2017. I was tasked with assisting an art center to set up a stall,…
Victoria and Southeastern Australia are lands steeped in the complex tapestry of Indigenous histories and identities. These narratives, forged in the crucible of colonial devastation and contemporary cultural resurgence, tell tales of resilience and renewal.
The art centre’s mission is simple: to support and celebrate Indigenous artists and their communities through arts and culture. In many remote communities, the art centre is a thriving hub of activity where generations of…
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Across Aranda Country, the continuation of culture through art making is alive and ongoing.[1] Guided by the teachings of ancestors and kin, and a resounding urge to depict Country in the manner of…
In early 2022, we received a call from the senior curator of Indigenous and Australian Art at the National Gallery of Victoria, Myles Russell-Cook, who had seen a weaving by Indra Prudence at the previous…
“There isn’t a more skilled set of peoples to find in rural and remote communities than those in the art centres so the easiest way to learn about anything to do with that area is…
Artists at Iltja Ntjarra Art Centre are Western Aranda people and paint their Country using the watercolour techniques passed on by Albert Namatjira down family lines, known as the Hermannsburg School of painting. The Country…
Sitting in the shade at Angurugu Women’s Art Centre, a group of Anindilyakwa women listen to visitors who have travelled far to meet with them on Groote Eylandt, located in the Gulf of Carpentaria in…
Nestled alongside the Musgrave Ranges in Pukatja community in the remote north-west of South Australia, Ernabella Arts on the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands is the oldest continuously running Indigenous art centre in Australia. In…
Fibre art holds a deep and venerated tradition within Yolŋu culture and the weavers of Arnhem Land, with the core material used being Gunga (Pandanus spiralis). The Rrambaŋi (Gunga Mat) installation at the 2023…
Song rings out through the art centres as an Elder sings the story of the Country they are painting, renewing their Country while teaching the story to any in earshot; sometimes when this happens people…
UPLANDS is an immersive digital project that has been designed to celebrate Indigenous Art Centres and share Aboriginal and Torres Strait Islander artistic and cultural practices with the world.
This large scale immersive digital mapping project features over twenty remote Indigenous Art Centres, and interviews with over 150 Indigenous artists and arts workers from across the country.
UPLANDS is a project by Agency and has been funded by the Australian Government through the Restart to Invest, Sustain and Expand (RISE) program and the Indigenous Visual Art Industry Support (IVAIS) program.
We acknowledge the Traditional Owners and Sovereign Custodians of the land on which we live and work. We extend our respects to their Ancestors and all First Nations peoples and Elders past, present, and future.